Tag: watch

Bilal 8/12/11 Indianapolis @ Madame Walker Theatre (VIDEOS)

This post is a guest review by Leo Weekly’s Damien McPherson.

The Madame Walker Theater is showing its age. The room dates back to the 1920s, but since its renovation in the late 70s, it appears little has been done to modernize the space (though their website does mention fundraising attempts). It’s still a beautiful building, wedged into its intersection on the edge of downtown Indianapolis, and the missing “K” on the rooftop’s sign at least gives a bit of personality even in the face of sadness at urban decay from historical sites.

Maybe I was looking a bit too closely, but by the time Bilal hit the stage, he looked pissed off. The sound in the room wasn’t great, and the 935-seater was barely half-filled (we sat in the sparsely populated balcony so as to give you the astounding visuals accompanying these words). One of the keyboardist’s platforms wasn’t plugged into the mix, leaving out many of the songs’ electronic bleeps and bloops and leaving room for a roadie to hover at the side of stage laying cable, distracting to say the least. The guitar amp failed during an early solo, and it appeared the drummer was having a monitor issue. It wasn’t until almost halfway through the show, during “Sometimes”, that what approximated a smile crossed Bilal’s mouth and he looked comfortable. None of this took away from his vocal performance, mind you, as the man is a machine. His perfectly controlled vocal abandon is one of modern music’s marvels: soulful, jazzy, and church-infected. The guy could sing Nickelback songs and sound like a genius (don’t prove that, though, please).

Something To Hold On To, Make Me Over, Gotsta Be Cool, Lord Don’t Let It, For You, Reminisce (flipped with the J Dilla “The $” beat), Fast Lane, Sometimes:

The first half of his set was split between his debut, First Born Second, and his shelved-but-leaked followup “Love For Sale”. He seems perfectly at ease on stage with the audience’s familiarity with the material they shouldn’t know, and proves himself a bigger man than me. I’d play half of one of those songs, and the second I spot someone singing along, I’d probably stop the song and ask for ten bucks from the person. Glad he didn’t, though, ‘cause I didn’t have any cash on me, much as he deserved it. “Fast Lane”, the non-representative first single from his debut, finally got the arrangement it deserved outside of its Dr. Dre studio sheen.

“Sometimes” is always a wonder, the little song that could. It was never a single, but the crowd demands it and sings along as if it were a standard. The second half of the set is mostly from his latest, Airtight’s Revenge, and the crowd wasn’t as responsive (though this was definitely a ‘giving’ crowd, very loose and supportive) to this material. “Little Ones”, dedicated to his autistic son, was a definite highlight, the emotional connection to the song a tangible thing. He closed the main set with the incredible “All Matter”. While I’m partial to the arrangement on Robert Glasper’s Double Booked, here he worked magic on his Airtight version. This song easily takes permanent residence in my favorite songs of the last decade. Just listen/watch.

Levels > All Matter:

Beggars not being choosy, the crowd’s response at this point didn’t really require an encore. They seemed to give up their cheering rather quickly. Thankfully, Bilal’s show is built for an encore, as he hadn’t performed his biggest song yet or this tour’s epic closer. “Soul Sista” melted every woman in the room, as it’s done for a decade now, while the Led Zeppelin cover “Since I’ve Been Loving You” melted the walls. A great quickie road trip, another excellent Bilal show (my second of this album cycle), and here’s a near perfect visual representation to enjoy. -Damien McPherson

Since I’ve Been Loving You (Led Zeppelin cover):

The New Mastersounds – From Leeds To Louisville (VIDEO)

If you’re not aware, The New Mastersounds are a hard working, non-stop touring, (mostly) instrumental funk machine from Leeds, England. On May 31, 2011, their tour swung through the Bluegrass State. Attendance was somewhat sparce due to the My Morning Jacket album release show occurring at the Louisville Palace the same night (a show that featured Erykah Badu as a special guest and was webcasted live to youtube by VEVO & American Express).

Nonetheless, The New Mastersounds gave all of their energy, playing over 2 hours without a set break. They even went off the written setlist for an impromptu cover of James Brown’s Get On The Good Foot. It was clear that they were having a great time, even if it was a Tuesday night and the crowd contained barely 100 people.

I shot about 30 minutes of stage-side video, which has been upgraded with my friend’s on-stage audio recording. This video contains 5 songs: Run the Gauntlet, You Got It All > Mark’s Red Guitar, Six Underground & Get On The Good Foot (James Brown cover):

If you’re in the Bluegrass State, The New Mastersounds will be back this Wednesday, September 7th, at Cosmic Charlies in Lexington, Kentucky.

VIDEOS: Dumpstaphunk Jazz Fest 2011 Tour de NOLA

“Sleep is NOT overrated!” I once heard Ivan Neville exclaim between songs at a late night Maple Leaf gig. He should know, as one of the hardest working musicians in New Orleans during Jazz Fest week. (It’s usually a competition between him, George Porter Jr. & Stanton Moore as to who does the most gigs in that 10 day period.) For Jazz Fest 2011, Ivan did at least 9 gigs (if not more) during the second weekend, 3 of which were with Dumpstaphunk.

Gasman Chronicles > Do Ya > Deeper:

On Thursday, May 5th, Dumpstaphunk opened for Soulive & Lettuce at the Royal Family Ball at the Contemporary Arts Center. My pal Theo showed up and set up his audio recording equipment dead center, about 20 feet from the front rail (much closer than FOB). I clamped my video camera to the side of his mic stand, zoomed it in tight and just let it roll for the entire set. Here, I present 45 minutes of highlights from their 70 minute set. Note the rare cover of The Isley Brothers’ “Fight The Power” as the set closer.

Lt. Dan, Put It In The Dumpsta, Everybody Want Sum, Fight The Power:

The day before, on Wednesday, May 4th, Dumpstaphunk played an afternoon in-store performance at the Louisiana Music Factory record store on Decatur Street. This is an interesting set because Ivan is playing Joe Krown’s organ and without clavinet. Here is the full 35 minute set:

01. Everybody Want Sum – Do Ya:

02. Oughta Know Better:

03. Gasman Chronicles – Deeper (part 1/2):

04. Deeper (part 2/2):

On Sunday, May 9th, Dumpstaphunk closed down the week’s festivities late night at Tipitina’s for the 5th year in a row. The highlight for me was the unexpected James Brown cover, The Payback, sung by Nick Daniels. I didn’t shoot this video (I was too enthralled in the front row), but I sure am glad that my friend Chris Rogers was holding up his flash video recorder. Now I can relive one of my favorite moments from Jazz Fest 2011, as drummer Raymond Weber gives us those “hits” we so desperately need.

The Payback (James Brown cover):

BTW, this was a crosspost with Live Music Blog: NOLA. Definitely check them out to keep up to date with the New Orleans music scene!

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