Johnny Vidacovich, Stanton Moore, Marco Benevento & Mike Dillon
May 4, 2013 (actually 3am to 6 am on the morning of May 5th, 2013)
New Orleans, LA @ The Maple Leaf Bar
Set One (Part 1 of 2):
Margie [Jim Reeves cover] (Stanton & Johnny only), Drums > Improv, Whole Lotta Fun > Dr. Watson:
Set One (Part 2 of 2):
Smacksie [James Booker cover] > Junco Partner [James Booker cover], Stuck In Hell, Fat Redneck Gangster [Garage A Trois cover], ?Improv?, Resentment Incubator [Garage A Trois cover]:
Set Two (Part 1 of 2):
Here Come The Girls [Ernie K-Doe cover], I Don’t Know > Accentuate The Positive > The Real Morning Party, DVS (Dillon, Vidacovich, Singleton theme song) > Get Small > $100:
Set Two (Part 2 of 2):
?Improv?, ??? (inc. I Ain’t Buyin’), Gonzo [James Booker cover], Fragile [Garage A Trois cover]:
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Second night in New Orleans, back to the Maple Leaf again:
George Porter Jr, Johnny Vidacovich, Marco Benevento & Skerik.
Unfortunately there was no one recording audio this night, so these videos are the only recordings that exist. It was also unfortunate that I didn’t record the sublime gospel piece that Marco & George came up with. After they finished playing it George remarked that he hadn’t brought his recorder so it was all just going “into the air.” George even asked me after the set if I had gotten it, but alas.
I Don’t Know:
Encore: They All Ask’d For You (a classic Meters tune):
Third night in New Orleans, I couldn’t get into George Porter’s 2am Superjam with Brian Stoltz, Marco Benevento & Adam Deitch at the House of Blues because it sold out, so I ended up, you guessed it, back at the Maple Leaf.
Jacob Fred Fred Jazz Odyssey “Gets Horny” at 3am with Steven Bernstein on slide trumpet, Jeff Coffin on sax, Mark Southerland on all kinds of weird instruments, and Matthew Leland on trombone. It was a near mystical experience, maybe due to the lack of sleep, or maybe it was the haunting sounds coming from the stage, or both.
Excerpt from the Race Riot Suite:
Improvisation No. 1: Tatontious Was Not A Cat
Improvisation No. 2: Kitty Boy Floyd Is A Cat
We left at 5:15 a.m. as JFJO were beginning their second set. I only had three hours of sleep the night before (after being at Tipitina’s till 6 a.m. for Karl Denson’s Tiny Universe’s Cinco De Mayo throwdown) and I had hit the wall. I didn’t feel too bad though, as Steven Bernstein was calling it a night, I mean morning, also…
BTW, what the hell is this instrument Mark Southerland is playing? You should have heard it when he started swinging the tube around in the air. Whoa nellie!