Snarky Puppy, Barry Mando Project & Sexual Disaster bring jazz fusion & funk to Kentucky

UPDATE: This original post contained videos of Snarky Puppy‘s May 24, 2012 performance at Cosmic Charlies in Lexington, KY. Since then, Snarky Puppy returned to Cosmic Charlies on August 16, 2012, and I have added videos from this performance also.

Snarky Puppy
August 16, 2012 Lexington, KY @ Cosmic Charlies

Bent Nails (ending), Mr. Montauk, Earflower, Thing of Gold:

Barry Mando Project
August 16, 2012 Lexington, KY @ Cosmic Charlies

unknown song:

Snarky Puppy SBD audio can be streamed or downloaded from Live Music Archive.

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Snarky Puppy
May 24, 2012 Lexington, KY @ Cosmic Charlies

Binky (ending), Strawman, White Cap:

Snarky Puppy
May 24, 2012 Lexington, KY @ Cosmic Charlies

Flood (with Amber Baker on drums) (daughter of Terry Baker, drummer for Kirk Franklin), Bent Nails, Quarter Master:

Sexual Disaster
May 24, 2012 Lexington, KY @ Cosmic Charlies

Now Or Never, Improvisation:

Full soundboard audio downloads located here for Snarky Puppy and here for Sexual Disaster.
The Snarky Puppy audio can also be streamed or downloaded from Live Music Archive.

Also, check out another Snarky Puppy video I shot at Bear Creek Music & Arts Festival last year: http://funkit.virose.net/?p=1366

Medeski Martin & Wood (& Scofield) – two nights at Bear Creek Music Festival (VIDEOS)

I’m just going to keep unleashing my videos from the 2011 Bear Creek Music Festival in hopes that I can get them all released before I head down to New Orleans for Jazz Festival and come back with 10+ more hours of footage.

Medeski Martin & Wood
Friday, November 11, 2011
Live Oak, FL @ Bear Creek Music Festival
We Are Rolling > Pappy Check > Just Like I Pictured It,
Where’s the Music (with Pee Wee Ellis), Think

Medeski, Scofield, Martin & Wood
Saturday, November 12, 2011
Live Oak, FL @ Bear Creek Music Festival
Part 1 of 2: A Go Go, Down The Tubes (aka Improv), Hanuman, Little Walter Rides Again

Medeski, Scofield, Martin & Wood
November 12, 2011
Live Oak, FL @ Bear Creek Music Festival
Part 2 of 2: Miles Behind, In Case The World Changes Its Mind (with Roosevelt Collier),
Tootie Ma Is A Big Fine Thing (with Johnny Vidacovich), Hottentot

AUDIO (on MMW): Schoeps mk22/cmc6 > Audio Magic Excalibur Cables > Sound Devices 788 by Steve Bazley
AUDIO (on MSMW): Neumann TLM-170R (cardiod) > Grace Lunatec V-3 (Analog out) > Sound Device 722 by TaperSteve
VIDEO 1: Canon Vixia HF21 by RLBayers
VIDEO 2 (on MSMW): Zoom Q3 by Adam Firtel of CHeeSeHeaDPRoDuCTioNS

AUDIO: The Robert Glasper Trio – 2/11/12 – St. Louis, MO @ Jazz At The Bistro

When Robert Glasper arrived at St. Louis’ premier jazz venue, Jazz At The Bistro, he promptly apologized for twice canceling prior engagements at the club (one due to the birth of his child and another due to a call from Maxwell to go on tour). He more than made up for it with 2 sets of his pensive yet blissful piano playing. With him were fellow Houstonian Alan Hampton on upright bass and St. Louis native Mark Colenburg on the drum kit.

Glasper recounted how he met Colenburg back in 1999 at this very club and how he recommended Colenburg to Common for the Like Water For Chocolate tour. Quite expectedly, Colenburg showed and proved in his hometown with two snare drums, plenty of chops, and a heavy nod to J Dilla‘s fluid yet angular sense of rhythm.

With the news of Whitney Houston‘s unexpected passing, Glasper dedicated the first tune to her, beginning the 20+ minute piece with a meditative and lengthy solo piano improvisation. After a short “J Dillalude”, Glasper jokingly name dropped 11 of the 12 guests appearing on his new album, Black Radio, and reminded everyone that the new album drops in 2 weeks. In his words, “cop that”. He closed the early show by taking requests, to which at least two audience members immediately shouted “F.T.B.” without hesitation. When someone asked “what does it stand for?”, Glasper declined to answer, preferring to “keep it off record”. Your guess is as good as mine. Notably, the trio teased The Roots‘ Grammy award winning song, “You Got Me”, as the final notes of the set.

Playing to a totally different, and noticeably younger and whiter, crowd for the late show, the trio stretched out much further. The set began with 30 minutes of non-stop music that shifted from on point jazz changes to open solos to an improvisation in which Glasper took a candle holder from the front table and held it to the piano strings as he played. (In fact, this is the section you hear on the streaming audio, above). After an hour of mesmerizing sounds, as icing on top, the show closed with a vamped out instrumental version of Q-Tip‘s track “You” from The Renaissance album. Completely satisfied, the crowd didn’t push for an encore, content to disperse back out into the cold night.

Here at Funk It, we like to bring only the choice content. So download our full 130 minute audio recording and don’t forget to spread the word about this blog to other like minded music lovers!

MP3 DOWNLOAD LINK (ZIP)

FLAC DOWNLOAD LINK (TORRENT)

Robert Glasper Trio
February 11, 2012
St. Louis, MO @ Jazz At The Bistro
Source: internal mics > Tascam DR-2d > WAV > Cool Edit Pro > FLAC
Location: In my jacket pocket. Early show: 2nd table dead center. Late show: 2nd table slightly to the right.
Recorded by RLBayers for Funk It Blog (http://funkit.virose.net/).

Early Show: 7:30pm
01. Glasper speaks
02. Canvas (Dedicated to Whitney Houston) >
03. No Worries *
04. J Dillalude
05. Drum solo > F.T.B. > You Got Me outro

Late Show: 9:30pm
01. Glasper speaks
02. Rise And Shine > drum solo > bass solo > Improv # >
03. ???
04. Glasper speaks
05. Smells Like Teen Spirit [Nirvana]
06. G & B (inc. bass solo) >
07. I Have A Dream [Herbie Hancock] >
08. You [Q-Tip]

Robert Glasper: piano, fender rhodes (on F.T.B. only)
Alan Hampton: bass
Mark Colenburg: drums

* My batteries died so about 6 or 7 minutes is missing in the middle. The track fades in and out at 4min43sec.

# Robert asked the audience member at the front table for the glass candle holder (with the small lit candle in it), then Robert held the candle holder to the piano strings while playing.

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