The Funky Meters – 4th of July in Louisville, Kentucky (VIDEO)

The Funky Meters were the featured performers at Louisville’s free annual Waterfront Independence Festival. Although they started over an hour late due to “technical difficulties,” it gave them the chance to play right through the fireworks display. It was quite an experience to see the fireworks display over the Ohio river while The Funky Meters ripped through Jimi Hendrix’s version of the Star Spangled Banner!

This featured video is a 26 minute edit of the set’s highlights, including the opening Cissy Strut, Chug-A-Lug, Africa, Doodle Oop (one of my favorite Meter’s tunes), The Star Spangled Banner, Fire On The Bayou, Just Kissed My Baby, and a blistering impromptu version of Jim Hendrix’s Purple Haze! Oh, and there are some fireworks on the video too…

I have to thank CMescia for sharing his audio recording (made with neumann mics) for this project. And i’d like to assure everyone that I will eventually get the full show posted as a DVD at thetradersden.org. For now, the full audio is available to download here: http://bt.etree.org/details.php?id=546918.

Finally, a shout-out to Rex-A-Vision who couldn’t make it out this night. I guess he just had too much fun at the Electric Forest festival the day before…

Happy Birthday Prince: The 1984 Birthday Show

Prince & The Revolution – Erotic City – June 7, 1984 – The 1984 Birthday Show

An audience recording of this show has been around the bootleg circuit for years (“Erotic City”, “Noon Rendezvous”, “26”), but I could never really listen to the whole thing because it sounded so bad. Now the pristine multi-track soundboard recording has leaked out into the general public and you can download it here:
http://www.megaupload.com/?d=6LI5DCCH (the password is reggolboge)
or here: http://www.thetradersden.org/forums/showthread.php?t=91209.
The artwork is here: http://www.megaupload.com/?d=GLAL48KV (the password is dontbuypressedrehash).

Here is the accompanying “press release” (if a bootleg can ever really have a press release):

Presented here for the first time, just a month shy of 27 years, is an absolutely astounding soundboard recording of this historic show. In an unprecedented move, the two leading fan labels Free Boot Generation and 4DaFunk have joined forces with a completely anonymous benefactor in an effort to put the finest possible experience into the hands of the fans. For free. Enjoy.

Prince And The Revolution
“From The Soundboard: 1984 Birthday Show”
June 7th, 1984
First Avenue
Minneapolis, MN

Source: Soundboard
Lineage: SBD > Tape > WAV > Soundforge > FLAC > TLH SBEs fixed > You
Label: Anonymous / FBG / 4DF
Cat.-No.: Anony001 / FBG39 / 4DF088
Released: May 2011
TRT: 79:52

1. Shortberry Strawcake (PA) / Drums check (0’56)
2. 17 Days (5’24)
3. Our Destiny (3’23)
4. Roadhouse Garden (4’45)
5. Interlude (1’20)
6. All Day, All Night (5’42)
7. Free (4’40)
8. Noon Rendezvous (9’02)
9. Erotic City (8’31)
10. Something In The Water (Does Not Compute) (10’10)
11. When Doves Cry (11’37)
12. Happy Birthday Interlude (2’27)
13. Irresistible Bitch (6’07)
14. Possessed (5’48)

Prince celebrated his 26th year with a concert at the famed Minneapolis nightclub First Avenue. Sheila E. had flown in from California along with Prince’s management team. A mobile multi-track recording truck was hired to record this show. The 85-minute set opened with ”17 Days”. It was followed by two new songs, ”Our Destiny,” which went into ”Roadhouse Garden.” ”We’ve got some stuff you’ll recognize and some you won’t,” Prince said before playing another new track, ”All Day, All Night.” Both ”Our Destiny” and ”Roadhouse Garden” remain unreleased, although they were worked on later in 1984 by Wendy and Lisa. The Latter was at one point planned for release on the stillborn 1998/99 Roadhouse Garden project. ”All Day, All Night” surfaced on Jill Jones’ 1987 album, which featured basic tracks pulled from this performance.”Free” finds Prince at the piano accompanied only by Bobby Z. on drums. Prince dedicated ”Noon Rendezvous” to “that little girl over there, that’s Sheila E.” Next on the set-list were ”Erotic City” and a dramatically rearranged version of ”Something In The Water (Does Not Compute).” An extended take on ”When Doves Cry” was followed by an audience-led rendition of ”Happy Birthday”. The b-side ”Irresistible Bitch” and the unreleased ”Possessed” close the show.

George Porter Jr, Ivan Neville, Johnny Vidacovich & June Yamagishi – Late Night at the Maple Leaf – Jazz Fest 2011

At the risk of making this blog too NOLA-centric, the next few posts will feature Jazz Fest related content. While I was in New Orleans for the 2nd weekend of Jazz Fest I shot around 9 hours of video footage in the span of only four nights. As that footage makes its way to youtube I’ll be posting it here.

First I’ll point out that a stellar audio recording of this show can be downloaded here: http://bt.etree.org/details.php?id=544956. (or 24bit for you audiophiles: http://bt.etree.org/details.php?id=545006)The rest of this blog entry will feature 5 videos, comprising about 67 minutes of footage from this two and a half hour show.

The first night after we arrived, I went straight to the Maple Leaf for a unique lineup that’s been over 2 years in the making (thanks to Deborah Vidacovich for the booking efforts, and the cookies). As some of you may know, Johnny Vidavovich (the legendary New Orleans drummer) has a weekly gig at the Maple Leaf on Thursday nights billed as “the Trio”. Although the gig doesn’t always consist of only 3 players, it almost always consists of the Johnny Vidacovich / George Porter Jr rhythm section. One of the most usual third players is June Yamagishi, guitarist for Papa Grows Funk. In fact, this Trio configuration has actually released a live album that you might want to check out: We Came To Play.

On this particular night, George, Johnny & June were joined by heavyweight Ivan Neville. Ivan’s barebones rig preference, like John Medeski, is a Hammond B-3 organ and Leslie speaker coupled with a clavinet. When Ivan comes to the Maple Leaf, he comes to bring it, and this night his chops were as deep as I’ve ever witnessed.

The night opened right up with some greasy funk improvisation until George broke a bass string. [about 5.5 minutes into the video located below] As he re-strung, Ivan & June locked into a nasty groove. That groove began to build up higher and higher until [about 10 minutes into the video] George releases all of the energy in the room and opens up the second weekend right, belting out the opening lines to “Let The Good Times Roll.” Then June let’s loose a straight fire guitar solo. Yeah, You Right.

This next video includes 4 tunes, beginning with a cover of the Jessie Hill classic “Ooh Poo Pah Doo,” which segues into another New Orleans classic “Don’t You Just Know It” by Huey Piano Smith. Then Ivan drops right into the “Cabbage Alley” organ riff, which really allows Johnny to show off his second-line drum rhythms. Johnny’s second line will have you mesmerized as they segue into another groove that George turns into a swampy version of Wilson Pickett’s “In The Midnight Hour.” Quite a first set, and captured from the perfect vantage point in the front row.

The second set began with more improvisation, which quickly turned into a cover of the Billy Preston tune, “Will It Go Round In Circles.” See the next video to watch Ivan get a little gospel with it.

Unexpectedly, Corey Glover, the singer for Living Colour (and more recently, Galactic), jumped on stage for a riveting cover of the Temptations’ mind-bender, “Papa Was A Rolling Stone”! There isn’t much else to be said, so just watch/listen to it!

This final video begins with Ivan leading the crowd on a sing-along through Prince’s “Little Red Corvette.” This moves into another very unexpected selection, “Come Back Jack” an unreleased tune by Leo Nocentelli, original guitarist for The Meters. That then turns into a song that I had hoped to hear, a tune that Ivan & George tend to bust out when they play together at the Maple Leaf, the Tami Lynn classic made famous by the Neville Brothers, “Mojo Hannah.”

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