The Killa 4 Dilla 4/30/16 New Orleans, LA @ Maison – Fiyawerx Prod. – J Dilla Tribute

Killa 4 Dilla 4/30/16 Maison, New Orleans

The Killa 4 Dilla II – April 30, 2016
New Orleans, LA @ Maison (actually started 5/1/16 @ 3:30am)
Part 1 of 2: ???, The Light (with Ivan Neville, Ian Neville & Nikki Glaspie), [Alvin Ford Jr exits, Louis Cato enters], Thelonius > Players > Get Down > U and Ur Smile > 2 You 4 You, [Louis Cato exits, Adam Deitch enters], Thought U Wuz Nice, So Far To Go

Bee Getz as quoted in his NOLA Jazz Fest After-Dark 2016 overview review at Live For Live Music:

After the rousing success of their first endeavor, a late-night, post-BUKU throwdown, FIYAwerx Productions revealed a Jazz Fest after dark redux, and the Killa 4 Dilla II was born just days before the show. The FIYA Dept had this one tucked up their sleeve for a few weeks, but once they announced the second edition of their J Dilla tribute, the excitement around the city was palpable. Boasting a roster of jazz-funk heavyweights with a healthy appreciation for hip-hop history, the band came together in short order to summon a ghost of The Ummah. Lacing us with two hours of classic Jay Dee, this was Welcome to Detroit, the Frenchman Street edition.

The ensemble included the likes of Borahm Lee (keys and samples), Nate Edgar (bass), Nicky Cake Cassarino (guitar), Ian Neville (guitar), Maurice “Mobetta” Brown (trumpet), Khris Royal (sax and effects), Alvin Ford Jr (drums), Adam Deitch (drums) and emcees Nikki Glaspie and M@ Peoples. The outfit ambled on stage just after two in the morning, and deftly delivered a cadre of bangers that had us “Body Movin'” and crush-groovin’ late into the night. A student of the James Yancey pantheon, Borahm Lee was a revelation; a true-school beat conductor for this focused free-for-all, playing choice Rhodes betwixt a bevy of samples and looping gymnastics. Soulquarian essential oils were in the air on Common‘s “The Light”, and the energy turned Nthfectious; Cassarino‘s slinky Spanky Chalmers licks, Edgar‘s Pino Palladino was perfection, and Glaspie‘s mojo was workin’ through Rashid‘s effervescent verses, the dreaded femcee gripping the mic like it was mama’s gun. Another period piece, Slum Village‘s “Jealousy” was handled with verbal authority by M@ Peoples. This talented local emcee shined on a vast array of Dilla-gence throughout. Brown and Royal passed the champion sound forth and back, and Ford was steady-clicking a metronome of Dillafication, the off-beat/on-beat, blunted breaks mined from a Conant Gardens bassment.

Killa 4 Dilla 4/30/16 Maison, New Orleans

Miraculously, the man, myth, legend, the all-galaxy cat himself, Louis Cato appeared out of thin air and relieved Ford on the drum kit; a segment of virtue and virtuoso, this was beyond Filthy Mcnasty. Naturally, it being a FIYA Dept hip hop show in NOLA, the boy wonder Adam Deitch emerged to nail the illest Iverson crossovers. Lettuce‘s hip-hop heartbeat got luscious on a lucid dreaming “Lightworks,” an MPC piece of masterpiece theater found on Yancey‘s final finished document, Donuts. The Killa chorale continued to bless the Maison massive by honoring the legacy of hip-hop’s greatest producer; emotional readings of several undying soundtracks to our lives included “Runnin'” (The Pharcyde) and the SV/Common slab of heat rocks “Thelonious.” Most treasured was an sojourn through this writer’s amaranthine anthem: De La Soul‘s 1996 word-to-the-wise “Stakes is High”. James Casey and the Mayor of *my* New Orleans Derrick “Smoker” Freeman assumed the role of Plug-One and Plug-Two; this duo led the crew through golden-age, rap-superhero theme music.In a word: FIYA. A new generation of Native Tongues had been reinstated. Vibes? Vibrations. Jay. Love. JazzFest.

The Killa 4 Dilla II – April 30, 2016
New Orleans, LA @ Maison (actually started 5/1/16 @ 3:30am)
Part 2 of 2: ??? > Lightworks > ??? > Jealousy, Runnin’ (Can’t Keep Running Away) > Stakes Is High, Encore: [Adam Deitch exits, Nikki Glaspie enters], Think Twice

The Killa 4 Dilla II:
Borahm Lee – keyboards
Alvin Ford Jr. – drums (beginning until The Light)
Louis Cato – drums (Thelonius > 2 You 4 You)
Adam Deitch – drums (Thought U Wuz Nice > Stakes Is High)
Nikki Glaspie – drums (Think Twice), MC (on The Light)
Nate Edgar – bass
Nick Cassarino – guitar
Maurice Brown – trumpet, MC (on 2 You 4 You, ??? before Lightworks, & Jealousy)
Khris Royal – saxophone
Ivan Neville – vocals (on The Light)
Ian Neville – guitar (on The Light & Runnin’)
M@ Peoples – MC (on Thelonius & Players)
James Casey – MC (on Runnin’, Stakes Is High & Think Twice)
Derrick Freeman – MC (on Stakes Is High)

Greg Bryant - Killa 4 Dilla

Killa 4 Dilla 4/30/16 Maison, New Orleans

Kamasi Washington & Christian Scott discuss music & civil rights at North Sea Jazz Festival 2016

PANEL: MUSIC & CIVIL RIGHTS WITH KAMASI WASHINGTON AND CHRISTIAN SCOTT – Ashley Kahn (moderator); Kamasi Washington (tenor saxophone); Christian Scott aTunde Adjuah (trumpet).

Although the Civil Right movement of the 60s and the anti-apartheid movements of the 80s are seen by many as struggles of the past, discussions about civil right have flared up again. What is the role musicians can have when it comes to social and political issues? Saxophonist Kamasi Washington and trumpeter Christian Scott discuss their experiences and those of fellow musicians.
North Sea Jazz Festival 2016 - Ahoy, Rotterdam

Ahoy, Rotterdam, Netherlands - North Sea Jazz Festival

Kamasi Washington & The Metropole Orkest 7/8/16 North Sea Jazz Festival; Re Run

North Sea Jazz Festival 1976 poster

Kamasi Washington & The Metropole Orkest 7/8/16 North Sea Jazz Festival; Henrietta Our Hero

North Sea Jazz Festival 1977 poster

Christian Scott 7/8/16 North Sea Jazz Festival: Diaspora

North Sea Jazz Festival 1979 poster

Christian Scott 7/8/16 North Sea Jazz Festival: New Heroes

Miles Davis - North Sea Jazz Festival 1985 poster

Erasmusbrug - Rotterdam

Read the full transcript at Jazz Times.

New Orleans Jazz Fest Late Night: Break Science Live Band at The Blue Nile 2016

Break Science Live Band 2016 New Orleans Blue Nile

Break Science Live Band
April 30, 2016 New Orleans, LA @ Blue Nile
Part 1 of 2: Owner Of A Lonely Heart [Yes] > Goin ‘Down [Michal Menert collab], In Full Effect (clip), Hand Clapping Song [The Meters] > Funky Style (clip), Brain Reaction, Intergalactic

Bee Getz as quoted in his NOLA Jazz Fest After-Dark 2016 overview review at Live For Live Music:

Break Science is trendsetter in realms of live electronic music; implementing avant garde approaches to technology while retaining core identity and original sound. The duo comprised of Adam Deitch and keyboardist/sampler/producer Borahm Lee have begun to reinvent themselves as a live band, drafting Lettuce crew Jesus Coomes (bass), Adam “Shmeeans” Smirnoff (guitar) and The Shady Horns (Ryan Zoidis & Eric “Benny” Bloom) to make a formidable dance music dragon.

Break Science Live Band 2016 Blue Nile

It’s clear that familiarity and trust are crucial to the duo’s transition into a full live band. Deitch remains a force behind the kit, propelling the breaks, programming pads, and setting the ultimate tone; while Lee is mad professor, furiously twisting knobs, painting Rhodes colors, and layering the synth waves. Shmeeans and Jesus would lay back, low-down dirty and deep in the cut, serving the songs and keeping it vibey with disciplined restraint.

On the other hand, saxophonist Ryan Zoidis was levitation station, a dude not of this earth. The Shady Horns veteran hellraiser married imaginative melodies with sinister, psychedelic tones; all done through his Korg analog guitar-synth triggered by a custom-equipped mouthpiece. Eric
Benny” Bloom is well versed in live-band electro-soul from his tours of duty in Pretty Lights Analog Future Band, and his stimulating, muffled wah wailing remained a perfect Zoidis foil in yet another compelling context.

The undeniable Tycho/Kendrick Lamar mashup “Vibe Walk” was a moving expedition, paired with familial collaborations with Michal Menert (“Goin Down”). Two tracks from the recent Manic Science project were reinterpreted: the Nice & Smooth-sampled “Funky Style,” and the haunting Pretty Lights remix “I Can See it in Your Face.” In mixing older Break Science originals like “Zion Station”, re-working NOLA classics (The Meters “Hand-Clapping Song”), and powering through AOR radio staples (Yes‘s “Owner of a Lonely Heart”), the omnifarious Break Science personalities were revealed. A smattering of new songs were interspersed within the set, only adding to the promising potential of this larger unit. Break Science Live Band surpassed many expectations, and chaperoned an enchanting journey down the wormhole of organic electronic music in 2016.

Break Science Live Band
April 30, 2016 New Orleans, LA @ Blue Nile
Part 2 of 2: Throwback [Michal Menert collab] > I Can See It In Your Face [Pretty Lights], Let’s Go, Vibe Walk [Kendrick Lamar vs Tycho]

NOTE: Please excuse the fact that the audio on these is subpar. I think my Sony ECM-MS908C external video cam microphone started to crap out in a weird way (after extended use in the humidity I guess?). Luckily it didn’t happen until the 8th night (of 8 nights) so it didn’t affect too much of my footage. I promptly replaced the mic. I actually I picked up two because it is no longer being manufactured. I’ve been using these mics since 1999 and they still do a great job. I think I’ve owned 5 of them, if you count the 2 I have now.

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