Tag: stream

Medeski Martin & Wood – 20th Anniversary Tour hits Chicago

Medeski Martin & Wood brought their 20th Anniversary Tour to Chicago’s Park West last Friday, November 4th. To celebrate 20 years, the band has been playing a first set of fan requests, and calling the second set a “shack party” full of spontaneous improvisations.

SCROLL DOWN FOR VIDEOS

For the first set, the band opened with the super rare tune Shack from Friday Afternoon In The Universe (a tune that hasn’t been played live since 2003!), which segued into a super charged Pappy Check (my request) that included an illyB drum solo before a funky bridge section that only MMW could pull off.

Next was an oldie that tends to get played pretty often, Dracula, which I thought brought the energy down. But, hey, I don’t question these players. Next up, John brought the energy level way up by tearing into his Wurlitzer electric piano on I Wanna Ride You, somehow making it look effortless to play like he does.

I was surprised to find that another one of my requests made the cut, Toy Dancing. Not played live since 2006, this version was somewhat exploratory and expansive. At this point, something happened that I’ve noticed frequently in MMW sets: John looks up about 3/4ths of the way into the set and realizes that he hasn’t touched the acoustic piano yet, so he sits down and goes to town for over 6 minutes. By the time Billy & Chris reel John back in, the tune ends up over 12 minutes long.

Lastly, they closed the first set with the perennial crowd favorite, Bubblehouse. Bubblehouse was played at every show on the first leg of their 20th Anniversary Tour back in March and so far has been played at every show on this leg of the tour. After years of fans screaming for the song and years of the band neglecting to play it, perhaps out of spite, MMW decided to give the crowd exactly what they asked for: BUBBLEHOUSE!

SET TWO: Improv, Moanin’, Improv
ENCORE: Night Marchers

You can watch set two right here, although I cut off the first 15 minutes of improvisation, as it wasn’t very inspired. This video includes the second 15 minutes of improv, the Art Blakey & The Jazz Messengers / Bobby Timmons cover, Moanin’, the next 23 minute improv (including a dubby section with John on melodica, as well as another short illyB drum solo), and the encore, Night Marchers.

Parts of the video are shot with a second camera (actually my iPhone 4) from up front and the audio was recorded by taperjoe with Sennheiser E914 condenser mics (audio download available here). Stream this baby to your HD TV, pop some popcorn (or gather whatever other party favors you choose to partake in), sit back, and enjoy 52 minutes of MMW in awesome HD quality.

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If you’re looking for more tasty Chris Wood bass playing, check out these videos of The Wood Brothers I shot this summer at Headliners in Louisville, KY on June 2, 2011.

Postcards From Hell:

Sing It Again (Beck cover):

Atlas:

The Luckiest Man:

Shoofly Pie, Chevrolet:

Dr. Klaw on the Creole Queen Riverboat, NOLA Jazz Fest 2011

IS IT BEAR CREEK YET?

Before I hit the road to my first Bear Creek Music Festival, I have to unleash my videos of Dr. Klaw on the Creole Queen Riverboat during New Orleans Jazz Fest 2011. The full video is on youtube in six parts, listed below. I recommend watching in HD in 1080p or 720p. Also, if you are so inclined, the DVD is available to download at The Trader’s Den.

I’ve posted about Dr. Klaw before. For those that don’t know, Dr. Klaw is a supergroup featuring Nick Daniels III and Ian Neville (both of Dumpstaphunk), along with Adam Deitch, Eric Krasno & Nigel Hall (of Lettuce, Soulive, Chapter Two, etc.). Basically, Dr. Klaw is a special conglomeration that only plays shows at Jazz Fest and Bear Creek (and sometimes Jam Cruise). Word is that they’ve been in the studio and will be releasing their new album at Bear Creek next week.

This video documents their only performance this year (until Bear Creek next weekend), and features several original tunes, as well as two Parliament covers that feature The Shady Horns (Ryan Zoidis, Sam Kinninger, & Rashawn Ross). The video was shot from right up front (because there really was no other way to see the band considering that the stage was only a few inches tall) with a Canon Vixia HF21 video camera and a Sony ECM-MS908C stereo mic. The audio is raw, dominated by Deitch’s cymbals and rim shots, but is still very listenable compared to the quality of most of the stuff you find on youtube. Enjoy, spread the word, and I’ll see you after what is sure to be an incredible Bear Creek Music Festival weekend!

Dr. Klaw – Part 1 of 6 – Beef, I Believe It:

Dr. Klaw – Part 2 of 6 – I Believe It (cont.), God Made Me Funky:

Dr. Klaw – Part 3 of 6 – Dr. Funkenstein, Do That Stuff:

Dr. Klaw – Part 4 of 6 – Do That Stuff (cont.), Rat Race:

Dr. Klaw – Part 5 of 6 – Lost Rager:

Dr. Klaw – Part 6 of 6 – Leave Me Alone:

Kirk Joseph’s 504 Brass Band w/ Steven Bernstein – Treme Theme Song:

Soulive – One In Seven (inc. drum solo):

Soulive – Tuesday Night Squad:

Soulive – Tuesday Night Squad (continued):

Primus – Louisville, Kentucky – videos + exclusive radio audio

Primus 10/10/11 Louisville, KY @ 91.9 WFPK
Interview – Lee Van Cleef – Interview – Tragedy’s a’ Comin’

Primus ripped through Louisville, Kentucky, last Monday with their original lineup of Les Claypool, Larry LaLonde and Jay Lane. I’ve seen them over the years with each of their three drummers (Tim “Herb” Alexander” and Brian “Brain” Mantia) and I can honestly say that Jay Lane is my favorite. After all, he was the one that helped develop the original Primus sound in the late-1980’s and he did co-write most of the songs on Frizzle Fry & Sailing The Seas of Cheese. To me, his playing is groovier and tighter than the other drummers. Also, to his credit, his return to the band rekindled the Primus spark and inspired Claypool to write and record a new album, so you can’t fault him for that.

Early in the afternoon of October 10, 2011, Primus entered the studio at our favorite independent radio station, 91.9 WFPK Radio Louisville. Here I bring you the exclusive recording of their interview and performance. You can stream it at the top of this page, or press the down arrow on the soundcloud bar to download the 83mb lossless FLAC file (Sidenote: Although it was recorded from the webstream, which was most likely a lossy MP3-quality stream, I chose not to downgrade the quality further by compressing it to MP3 again. And that’s why you get a FLAC file and not an MP3. But really is that extra 60mb really gonna tip the scales and fill your hard drive to the bursting point?).

Here I also present the videos I shot from the front row. The audio has been upgraded with my friend’s recording with schoeps microphones, which is available to download over at etree. The video starts out with Extinction Burst (one of my favorite tracks off the new album), and then there is nearly 5 minutes of Those Damned Blue-Collar Tweekers, including most of Claypool’s bass solo jam middle part. It ends abruptly about 1.5 minutes before the end of the song due to “security.”

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