Worship My Organ 1/9/16 on Jam Cruise 14

Worship My Organ on Jam Cruise 14

Worship My Organ 1/9/16 Jam Cruise – Part 1 of 5:

Worship My Organ, born as a NOLA Jazzfest engagement, set up shop in the Black and White Lounge, ready to do business. The collaboration of Robert Walter, Skerik, Adam Deitch and Marco Benevento is a maniacal one. For one hour and fifty-seven minutes, the fearsome foursome did not relent, and the music never stopped. The sounds arrived in a series of waves cloaked in frightening darkness; kicking down heady vamps and joints from the most demonic places, Walter, Benevento, Adam Deitch and Skerik unleashed a lesson in sonic bondage and tourniquet terror. Skerik’s inimitable notes serenaded with sadistic intentions.

Drummer Deitch brought out the best in his collaborators, and he channeled a particular personality of his foil that suits the moment’s need. On this night, Deitch was baiting and surrendering to the flow, playing loose and lyrical. Adam, utilizing a garbage can and its lid to augment his floor tom, began to unveil the classic hip hop knock with his lead right foot.

Commandeering the ship, Deitch set the table for Skerik to get diabolical, and unleash his patented spastic shrieks, the torrid response to the Walter/Benevento duality. Each keyboard player found a lane to drive, be it Hammond, Rhodes, or Wurlitzer, and Skerik needed not a reason to get weird. The drummer remained the anchor and the captain of this beautifully nightmarish séance of complete improvisation. Worship My Organ was simultaneously progressive and danceable. This was trip hop and free-Jazz, on steroids. The key tune was the performance itself.

Bee Getz as quoted in his Jam Cruise 14 overview review at Live For Live Music.

Worship My Organ 1/9/16 Jam Cruise – Part 2 of 5:
(listen for The National Anthem by Radiohead around 10 minutes in!)

Worship My Organ 1/9/16 Jam Cruise – Part 3 of 5:

Worship My Organ 1/9/16 Jam Cruise – Part 4 of 5:

Worship My Organ 1/9/16 Jam Cruise – Part 5 of 5:

AUDIO DOWNLOAD: FLAC TORRENT

Bear Creek Music Festival 2014: St. Paul & The Broken Bones, Sister Sparrow & The Dirty Birds and Curtis Harding

Sister Sparrow & The Dirty Birds at Bear Creek

Sister Sparrow & The Dirty Birds
11/14/14 Bear Creek Music Festival

Part 1 of 2: Borderline, Disappear > Lasso > Who Are You, Millie Mae, The Long Way, Don’t Be Jealous

Sister Sparrow & The Dirty Birds
11/14/14 Bear Creek Music Festival

Part 2 of 2: Love Me Like A Man (with Bernard Purdie & Roosevelt Collier) [Bonnie Raitt cover], You Don’t Know How It Feels (with Roosevelt Collier) [Tom Petty cover], Sugar, Boogie Man, Too Much

Sister Sparrow & The Dirty Birds at Bear Creek

St. Paul & The Broken Bones
11/16/14 Bear Creek Music Festival

Sugar Dyed Honey Pants, Half The City, Moonage Daydream [David Bowie cover], Fake Plastic Trees [Radiohead cover] (inc. Don’t Let Me Down [The Beatles cover]), Down In The Valley [Otis Redding cover], It’s Midnight, Like A Mighty River, 99 1/2 [Wilson Pickett cover]

Curtis Harding
11/14/14 Bear Creek Music Festival

Freedom, Drive, Next Time, Castaway, Drive My Car, Surf, Love Is All

Arleigh Kincheloe of Sister Sparrow & The Dirty Birds at Bear Creek

The Robert Glasper Experiment & Bilal @ Chicago’s Double Door – March 10, 2012

Last weekend I had the pleasure of finally witnessing The Robert Glasper Experiment do their thing. Although drummer Chris “Daddy” Dave wasn’t on this tour, replacement Mark Colenburg more than held his own. (As I knew he would after I saw him play with The Robert Glasper Trio last month in St. Louis. Don’t miss my audio recording of that here.)

On this chilly Chicago night, special guest Bilal joined the Experiment for 3 tunes: the David Bowie cover, Letter To Hermione, the J Dilla produced Reminisce, and his seminal piece, All Matter. On top of that, the Experiment played for well over 2 hours without a break. One of the highlights for me was Glasper repeatedly teasing Radiohead‘s Everything In Its Right Place during this 6 minute piano solo, which led into All Matter. I ended up shooting 48 minutes of footage using my video camera, external microphone and monopod. Check it out below:

The Robert Glasper Experiment
March 10, 2012 – Chicago, IL @ Double Door
Butterfly (Herbie Hancock & The Headhunters cover):

The Robert Glasper Experiment
March 10, 2012 – Chicago, IL @ Double Door
Lift Off (inc. drum solos):

The Robert Glasper Experiment & Bilal
March 10, 2012 – Chicago, IL @ Double Door
Reminisce:

The Robert Glasper Experiment & Bilal
March 10, 2012 – Chicago, IL @ Double Door
Piano solo (inc. Everything In Its Right Place teases) > All Matter:

The Robert Glasper Experiment & Bilal
March 10, 2012 – Chicago, IL @ Double Door
All Matter (continued):

The Robert Glasper Experiment:
Robert Glasper: keys
Casey Benjamin: saxophones, keytar, vocoder, keys
Derrick Hodge: bass
Mark Colenburg: drums
+ special guest Bilal: vocals

Full setlist: A Love Supreme (John Coltrane cover), A Tear To A Smile (Roy Ayers cover), Butterfly (Herbie Hancock & The Headhunters cover), Letter To Hermione (David Bowie cover) (with Bilal), Lift Off (inc. drum solos), Bass solo > Say Yes (Floetry cover), Cherish The Day (Sade cover), Reminisce (with Bilal), Piano solo (w/ Everything In It’s Right Place teases) > All Matter (with Bilal), Ah Yeah > Drum solo > Smells Like Teen Spirit

If you made it this far, then you’re probably interested in the other Robert Glasper recordings I’ve been posting lately:
(1) these 3/20/12 Experiment Chicago videos
(2) 2/27/12 Experiment WNYC radio session audio here
(3) Experiment with Roy Ayers & Pete Rock @ North Sea Jazz Fest last year here
and
(4) there are 2 other goodies, but you’ll have to search my facebook page for it (hint: March 3rd).

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