The Robert Glasper Experiment & Bilal @ Chicago’s Double Door – March 10, 2012

Last weekend I had the pleasure of finally witnessing The Robert Glasper Experiment do their thing. Although drummer Chris “Daddy” Dave wasn’t on this tour, replacement Mark Colenburg more than held his own. (As I knew he would after I saw him play with The Robert Glasper Trio last month in St. Louis. Don’t miss my audio recording of that here.)

On this chilly Chicago night, special guest Bilal joined the Experiment for 3 tunes: the David Bowie cover, Letter To Hermione, the J Dilla produced Reminisce, and his seminal piece, All Matter. On top of that, the Experiment played for well over 2 hours without a break. One of the highlights for me was Glasper repeatedly teasing Radiohead‘s Everything In Its Right Place during this 6 minute piano solo, which led into All Matter. I ended up shooting 48 minutes of footage using my video camera, external microphone and monopod. Check it out below:

The Robert Glasper Experiment
March 10, 2012 – Chicago, IL @ Double Door
Butterfly (Herbie Hancock & The Headhunters cover):

The Robert Glasper Experiment
March 10, 2012 – Chicago, IL @ Double Door
Lift Off (inc. drum solos):

The Robert Glasper Experiment & Bilal
March 10, 2012 – Chicago, IL @ Double Door
Reminisce:

The Robert Glasper Experiment & Bilal
March 10, 2012 – Chicago, IL @ Double Door
Piano solo (inc. Everything In Its Right Place teases) > All Matter:

The Robert Glasper Experiment & Bilal
March 10, 2012 – Chicago, IL @ Double Door
All Matter (continued):

The Robert Glasper Experiment:
Robert Glasper: keys
Casey Benjamin: saxophones, keytar, vocoder, keys
Derrick Hodge: bass
Mark Colenburg: drums
+ special guest Bilal: vocals

Full setlist: A Love Supreme (John Coltrane cover), A Tear To A Smile (Roy Ayers cover), Butterfly (Herbie Hancock & The Headhunters cover), Letter To Hermione (David Bowie cover) (with Bilal), Lift Off (inc. drum solos), Bass solo > Say Yes (Floetry cover), Cherish The Day (Sade cover), Reminisce (with Bilal), Piano solo (w/ Everything In It’s Right Place teases) > All Matter (with Bilal), Ah Yeah > Drum solo > Smells Like Teen Spirit

If you made it this far, then you’re probably interested in the other Robert Glasper recordings I’ve been posting lately:
(1) these 3/20/12 Experiment Chicago videos
(2) 2/27/12 Experiment WNYC radio session audio here
(3) Experiment with Roy Ayers & Pete Rock @ North Sea Jazz Fest last year here
and
(4) there are 2 other goodies, but you’ll have to search my facebook page for it (hint: March 3rd).

D’Angelo & The Soultronics – July 16, 2000 North Sea Jazz Festival – The Voodoo Tour

So, we’ve been waiting exactly 11 years for D’Angelo to make his comeback. Some of us kept the faith, while others lost it at various points over the past decade. For me, it was merely a matter of patience. I knew he’d be back eventually. And if I ever needed a reminder i’d just pull out a live recording of his Voodoo Tour with The Soultronics to dismiss any of my doubts.

Lately, we’ve begun to hear rumblings of a come back, with live dates booked and selling out in Europe for late January and early February 2012. Then Questlove informed us that the tour is real, that Pino Palladino and Chris Dave just committed, and that D’s new album is 97% done and has to be turned in to the record label 3 days before Christmas.

So I dug deep in my archives, and I’m bringing you the FM radio audio of the July 16, 2000 North Sea Jazz Festival performance.
DOWNLOAD LINKS: MP3 (upgraded with missing first 5 minutes!) / FLAC.

I also took the audience shot video and synced it up the FM audio. The full video can be downloaded in DVD format here or you can view it on youtube in 4 parts below. Now we just cross our fingers that the tour goes off without a hitch and that some new live recordings show up. Oh, and fingers crossed that the tour continues in the U.S. and that the album actually gets released, finally!

Before you watch this first video, read this except from D’Angelo’s recent interview for GQ Magazine: He was beginning to sense a darkness beckoning. He recalls a particular moment onstage at the North Sea Jazz festival in 2000. The band was in the middle of “Devil’s Pie,” his song about the spell fame casts upon the weak—Who am I to justify / All the evil in our eye / When I myself feel the high / From all that I despise—when he felt an ominous presence in the crowd. “That night I felt something that was like, whoa,” he tells me. E-vil.

(1 of 4) Devil’s Pie > Funk Jam > Send It On:

(2 of 4) Feel Like Makin Love > Chicken Grease:

(3 of 4) Shit Damn Motherfucker,
Brown Sugar Interlude > Untitled (How Does It Feel?):

(4 of 4) Lady > Funk Jam > Jonz In My Bonz > Funk Jam:

D’Angelo: vocals, keyboards
The Soultronics:
Ahmir “Questlove” Thompson: drums
Frankie “Knuckles” Walker: percussion
Pino Palladino: bass
June Bervine (or sometimes James Poyser): keyboards
C. Edward “Spanky” Alford & Samuel “Norris” Jones: guitars
Anthony Hamilton, Shelby Johnson & Jack King: background vocals
Jacques “Brother Jacques” Schwarz-Bart: tenor saxophone
Russell Gunn (or sometimes Roy Hargrove): trumpet
Frank “Root” Lacy: trombone & trumpet

Eric Krasno’s Chapter 2 at Bear Creek Music Festival 2011

B. Getz, in his recent Bear Creek Music Festival review on JamBase, described Lettuce as Voltron: “individual vehicles joined together to form a giant super funk robot”. I, however, would give that moniker to Chapter 2.

Early Saturday afternoon at Uncle Charlie’s Porch Stage (arguably the best sounding stage at the festival), Eric Krasno, Adam Deitch, Nigel Hall, and Louis Cato joined forces to provide a wake up call to any Spirit of the Suwannee Music Park campers that might have overslept. WAKE UP! Chapter 2 at 2:25 p.m., The Funky Meters at 3:30, The New Mastersounds at 5, Medeski, Scofield, Martin & Wood at 6:30, Lettuce at 8, The Trey Anastasio Band at 9:30, and Dumpstaphunk’s Dumpstajam at midnight. There was no time to waste. And that was only 2 of the 7 stages operating that day! Not to mention that the music started at 11:30 a.m. and wouldn’t be stopping until 5 a.m.

I can’t say much about this group that you can’t find out by watching the videos. (Here at Funk It we like to let the content do the talking.) But I will point out that Louis Cato was the definitive all star of the entire festival. As far as I know, he played bass with Chapter 2, drums and percussion with fSnarky Puppy, trombone and bass at the Dumsptajam, drums with Dumpstaphunk the next night, and percussion and bass at the Tree House After Party Jam Session.

Seeing as this was the first full fledged Chapter 2 show with this lineup in over 7 months, they came out energized and at full force.

Here are the videos in raw HD with audio from my external mic:

Chapter 2 – 76 (end of the song):

Chapter 2 – Be Alright, Roll Out:

Chapter 2 – Roll Out (cont.):

Chapter 2 – Stratus (Billy Cobham cover):

Thanks to Bob Adamek & Dino Perrucci for the use of their photos.

And if you haven’t seen my Bear Creek teaser video, you should check it.

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