Tag: Billy Martin

Medeski Martin & Wood – 20th Anniversary Tour hits Chicago

Medeski Martin & Wood brought their 20th Anniversary Tour to Chicago’s Park West last Friday, November 4th. To celebrate 20 years, the band has been playing a first set of fan requests, and calling the second set a “shack party” full of spontaneous improvisations.

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For the first set, the band opened with the super rare tune Shack from Friday Afternoon In The Universe (a tune that hasn’t been played live since 2003!), which segued into a super charged Pappy Check (my request) that included an illyB drum solo before a funky bridge section that only MMW could pull off.

Next was an oldie that tends to get played pretty often, Dracula, which I thought brought the energy down. But, hey, I don’t question these players. Next up, John brought the energy level way up by tearing into his Wurlitzer electric piano on I Wanna Ride You, somehow making it look effortless to play like he does.

I was surprised to find that another one of my requests made the cut, Toy Dancing. Not played live since 2006, this version was somewhat exploratory and expansive. At this point, something happened that I’ve noticed frequently in MMW sets: John looks up about 3/4ths of the way into the set and realizes that he hasn’t touched the acoustic piano yet, so he sits down and goes to town for over 6 minutes. By the time Billy & Chris reel John back in, the tune ends up over 12 minutes long.

Lastly, they closed the first set with the perennial crowd favorite, Bubblehouse. Bubblehouse was played at every show on the first leg of their 20th Anniversary Tour back in March and so far has been played at every show on this leg of the tour. After years of fans screaming for the song and years of the band neglecting to play it, perhaps out of spite, MMW decided to give the crowd exactly what they asked for: BUBBLEHOUSE!

SET TWO: Improv, Moanin’, Improv
ENCORE: Night Marchers

You can watch set two right here, although I cut off the first 15 minutes of improvisation, as it wasn’t very inspired. This video includes the second 15 minutes of improv, the Art Blakey & The Jazz Messengers / Bobby Timmons cover, Moanin’, the next 23 minute improv (including a dubby section with John on melodica, as well as another short illyB drum solo), and the encore, Night Marchers.

Parts of the video are shot with a second camera (actually my iPhone 4) from up front and the audio was recorded by taperjoe with Sennheiser E914 condenser mics (audio download available here). Stream this baby to your HD TV, pop some popcorn (or gather whatever other party favors you choose to partake in), sit back, and enjoy 52 minutes of MMW in awesome HD quality.

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If you’re looking for more tasty Chris Wood bass playing, check out these videos of The Wood Brothers I shot this summer at Headliners in Louisville, KY on June 2, 2011.

Postcards From Hell:

Sing It Again (Beck cover):

Atlas:

The Luckiest Man:

Shoofly Pie, Chevrolet:

Medeski Martin & Wood’s End of the World Party at New Orleans Jazz Fest 2004

Still on the Medeski Martin & Wood tip. If you’ve ever seen this Russian polka trio perform live then you’ve probably already been hooked, not only by their musical virtuosity but by their incessant grooves.




Today I present a full 2 hour video of MMW throwing it down at a 2004 late night show during New Orleans Jazz Fest. At the time, the band was fresh off of a west coast run of nine shows at small venues in which every show was complete improvisation. [I highly highly recommend dug’s five disc compilation: April Grooves 2004.]

After a few nights off MMW hit NOLA like a storm, busting out mainly new tunes from their End Of The World Party (Just In Case) album that they would release later that year. The first half of the show features the Sex Mob horns, Steven Bernstein on trumpet & Briggan Kraus on saxophone, and there is also a spacey improv section with Grant Calvin Weston on percussion and Briggan Kraus blowing some weird sounds on the sax. The encore also features the Sex Mob horns on one of John Medeski‘s classic tunes, Wiggly’s Way.

The full video is on youtube in 2 parts and the DVD version is available to download here.

Part 1/2:
Anonymous Skulls > Improv > Mami Gato > Down On Me
Sasa > Improv > Creole Love Call (w/ Snake Anthony bassline)

Part 2/2:
Drum Solo > Curtis > Bass Solo > Queen Bee
New Planet > Improv (w/ G. Calvin Weston & Briggan Kraus)
End Of The World Party
Encore: Whiney Bitches > Wiggly’s Way

Interesting tidbit: at the same time this show was occurring, David Bowie (with The Polyphonic Spree as his opening act) was playing literally across Canal Street at the Saenger Theater. It was a tough choice, but with two of my absolute favorite bands playing together, I just couldn’t miss this MMW / Ween co-headliner.

John Coltrane’s “A Love Supreme”, covered and funkifized


John Medeski, Skerik & Adam Deitch – A Love Supreme (John Coltrane cover)
August 13, 2011 Stratton, VT @ Royal Family Affair

To celebrate John Coltrane’s 85th birthday, I bring you two funkifized covers of Coltrane’s seminal recording with his “Classic Quartet”: “A Love Supreme.”

The first cover is a recent performance of a once-only band: John Medeski (of Medeski, Martin & Wood), Skerik (of Garage A Trois & The Dead Kenny Gs) and Adam Deitch (of Lettuce, Break Science & Eric Krasno’s Chapter 2). This one starts out very spacey until Deitch drops his hip-hop inflected beats, creating a wicked groove. The full recording of the show can downloaded at etree.

The second cover is from a 2002 performance by “Mike Clark & Friends.” Mike Clark is, of course, the legendary jazz-funk drummer that started out with Herbie Hancock & The Headhunters. Mike Clark’s “friends” on this occassion were Jessica Lurie (of Living Daylights) on sax and flute, as well as the core of Jacob Fred Jazz Odyssey: Brian Haas on fender rhodes and Reed Matthis on bass.

This one is quite a journey. Of special note is the middle section (about 7.5 minutes in) in which Haas takes over the bass lines on the rhodes and Matthis begins to play the lead with his bass running through an octave pedal. They definitely take this piece to a place it’s never been before (or since).


Mike Clark & Friends – A Love Supreme (John Coltrane cover)
July 20, 2002 Oxford, OH @ Camp Buzz 9

Special thanks to Mike Wren for the use of his photos and Rob Clarke for the audio!

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